Browsing Posts in just a thought

One of the biggest problems when I’m photographing horse racing is the bunching of the pack.  It’s very difficult to get a good group arrangement of horses while they’re mid-race – I find the frames get too crowded and there is often no main subject of the image.

The thing that I’ve found is that it’s best to follow just one horse as they’re racing, rather than trying to get a good shot of the whole pack.  That way your attention is focussed following one point rather than trying to scan the whole race for an exciting image.

What do you think of the results?

Some things are great to photograph but are really difficult to get just right. What fills that spot for you?

I do enjoy photographing the horse racing at Wanganui – the grace and power of the horses, the bright silks of the jockeys, the shapes and movement.

But there is just one problem. It’s so difficult to capture the image as I see it in my head.

I have spent many happy afternoons trying to rise to the challenges this sort of photography provides. I’ll share some of those challenges and the fruits of my labours in future post

One more thing I have learned over the last 4 years is that the background is just as important as the subject of the photo. Sounds obvious, I hear you say, but it can get overlooked in the excitement of the moment.

Taking a second to check out the background while you’re framing the image can save the hassle of having to spend an age hiding the tree growing out of your subject’s head.

And it certainly is better than having to delete a great shot because there is an advertising hoarding in the background that carries the opposition’s sponsor’s name.  Oops.

I photographed the racing at the Cemetery Circuit again on Boxing Day last year.  That was the fourth year I had
been to the race day, and as I reviewed the pictures I realised that the way I approach the whole thing has changed a lot since my first experience of the Cemetery Circuit in 2007.

The first year I went to the Cemetery Circuit I took loads of photos – about 1000+  over the whole day.

In 2010 I only took about 80 – yes, eighty!

When I thought about it a bit more I decided that I have developed some strategies and habits that help me to take
better photos:

  • I make sure I’m familiar with the environment I’m going to shoot in – that way I can plan the best place to position myself.
  • I get familiar with the shapes and movement involved.  Sometimes I watch 2 or 3 races so I get an idea of where the most interesting shots will come from.
  • I am patient – I’d rather take one cracking shot then 20 that are mediocre.
  • I think about the next step for each image – there’s no point taking a photo that can’t be used to generate interest or income.

I’ve realised that as I become more practised as a photographer, I am become much more selective about the shots I take… before I take them.  It saves so much time in the post-production process because I can focus on how I’m going to treat each image rather than whether they’re right one to use.

The following day the exhibition was open to the public, but I couldn’t be there because I had flown up to Auckland to meet Steve and the bus at Hampton Downs race meeting.

My wife went along, and was quite happy with the number of people we had through the door. Considering that the advert only ran once in the local paper, and the showhome is in a cul-de-sac rather than on a main road, I was pleased with the turnout we had.

The feedback I had was very positive, and the experience was definitely worthwhile.

Although a wide variety of people looked at the photographs, they seemed to like the same images.  The ones most frequently commented on were the monochrome/colour reflection of Jerusalem,

the mud buggy,

the sheep,

 

and the panoramic still shot of the Watt Fountain in Wanganui.

OK.  The prints were printed, mounted and framed (thanks to my super hardworking wife), the nibbles were bought, the adverts and invites were out.  So no chance to back down now.

The hours before the exhibition actually opened were some of the most frightening of my life.  If I could have been somewhere else, I would have been.

But some of our friends arrived, and wandered through the house.  And then, a few more arrived and wandered around.

They seemed to like the prints, and wrote some nice comments in the book my wife had put out.  We all sat and drank Paddy’s wine, and chatted about the photographs on display, and after a couple of hours I had to dash off to my son’s Christmas concert – a welcome opportunity for somebody else to be in the limelight.

I did survive the ordeal.  And maybe the next one won’t be so scary now that I’ve done it once.

So the exhibition date was set, and the advert was put in the local paper.  My wife had been busy inviting friends and business acquaintances to the opening.

Hell! That meant I HAD to go through with it!

So then I had to decide what I would exhibit, and where I would site the prints.

I walked through the house a couple of times, and looked at the décor and set up.  Finally I decided that rather than having one theme for the exhibition I would have a grouping in each room that was appropriate to the set up of the showhome.  So the garage would host classic cars and motorsports, the girl’s bedroom would see floral prints, the boy’s bedroom seemed the right place for racing horses and greyhounds, landscapes looked best in the master bedroom and living room, while the kitchen/dining room provided the backdrop for the miscellaneous prints – abstract and quirky things.

I decided to hang the pictures using the hooks that stick to the wall and can be moved without damaging the paintwork (you know the ones I mean!), but didn’t realise that to hang 25 prints I would have to pay nearly $300 on hooks!  I do still have them, of course, and can use them again in other sites, which makes them more of a useful investment.

And then of course I had to get the photographs printed, and framed.  Boy, this exhibition lark is an expensive business!

Golden Temple

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Sikh Temple Takanini
Sikh Temple, Takanini, South Auckland

A truly beautiful building just off the Great South Road.

I survived!

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I’m back from my trip to Auckland – survived the Auckland drivers, the Auckland weather and my nerves about putting myself out there and selling myself.
I visited several possible clients, and left proposal documents with each one. I also made the initial contact with some other companies, letting them know what I could do for them.
All I have to do now is follow them up, so they don’t forget about me! It’s a difficult balance to get – keeping myself on their radar without becoming a nuisance. I have to keep reminding myself that although my business is my priority, it is not necessarily a top priority for the companies I am dealing with. Patience is a virtue that I am cultivating!

I also made the time to go out and about with my camera, and got some good shots of Auckland, including a panoramic in Britomart… the underground train station. Watch this space to see what I make of those photos.

I’m in a difficult place at the moment.  I’ve been very busy taking panoramics, retaking them with a new lens, tidying them, stitching them, and creating tours: generic domestic tours, city tours, branded marketing tours for specific companies….. I even reworked the front page and gallery page of the website.

And now, there’s nothing else that needs to be done.  I’ve got nowhere else to hide.  I’ve actually got to put myself WAY out of my comfort zone and start to sell my products.

This will involve a bit of travelling, some cold calling, and hopefully some meetings with possible clients.  And at the end of all that I might get somebody to sign on the dotted line and commission a panoramic tour from me.

This is possibly the scariest thing I’ve ever done – exciting, exhilarating, but scary as anything.

Cross your fingers and wish me luck.